The New York-Lorca-Morante Trinity: Hurricon of inspiration | North American route | Culture
TO Kiki Moorete New York arouses the wild memory of his father. “I met this city with him,” admits a singer, a guitarist and a composer. And his father brings him a wild memory of Federico Garcia Lorca: “I know Federico thanks to my father’s voice.” And Lorca is Granada, but also New York. The memory of the universal poet is connected with New York and Morant, as if they were particles of the same emotional spiral, which is worried unusually inside the kiki moraine. A spiral, which can rebel equally unusually inside everyone who understands the greatness of the Union, which is waiting in the Holy Trinity, which forms a New York, Lorca and Moranta.
The son of Master Moorete informs this connection in the Elebash Concital Hall camera (the center of the CUNY graduates), whose front door, with its staircase on the fifth Avenue in the very heart of Midtown, looks at the elevated empire, as if it were a great “white stone”, as a version of Lorca in Lorca version Blind panorama New Yorka, “The Moon helps him” in a city that does not sleep. Both the singer and the guitarist talk about the connection, perhaps more likely to name it as a hurricane of inspiration, immediately after we pay the Trinity New York-Lorca-Mocent at a concert in Flmenco Festival in New YorkWhich was held in the last days of March, and this year is dedicated to the legacy of Lorca almost a century after his trip to a large apple.
Kiki, this is He inherited from his father intuition to update Flamenko, without abandoning origin, He played accompanied by Carlos de Jacob, a guitarist, known for his innovative style, and percussionist Juan Carmons. The Tuz trio for creating a dialogue between the rich heritage of flamenco and the lyrical soul of Lorca. Earlier, at the exit from the hotel and inside the van from the sixth Avenue, three began to a palm, as if they wanted to cause perfume before their emotional performance. “There is a lot of heart when Federico Sings Garcia Lorca, and, in my particular case, I remember how my father. Sings Federico – this is a problem for any flamenco. And more in a long repertoire, like ours, ”says Kiki. “For me, Lorca has always been magic thanks to my father,” he says.
Volgia is a wild illusion, the possibility of magic, inspiration above inspiration. Elm with their palms, but also guitars, percussions and songs are magnificent methods in the art of art. Therefore, it should be remembered how Enrique Moorete believed in them in his own art for their own search for inspiration. The wizards that Lorca represented in Enrica, but also the fact that it was New York. “The story of my father with Poet in New York And with this city it is cruel. This city was passionate, it blinded it. A fraternity was created between Granada and New York, and my father knew how to appreciate it, and to raise it not only in our family, but throughout the world, ”Kiki recalls. In addition to this fraternity, this is a trigger, greatness of loss.
Take into account the biography Enrique Moorete Those who wanted to be a bull -fan, but a trip to New York in 1964 determined his career, uncontrollable and repairs for Flamenco. Marimema Dancer heard him sing, and took him to New York with his ballet to the world fair. This was his first trip abroad and defined his career as a singer. In Manhattan, he sang to the dancer Trini Spain and dancer Juan Kintero, with whom he will have to cooperate in the future several times. And, according to biographies, he convinced himself that he was a singer and forgot about the struggle.
If so, Morave preferred to accept rhetoric and myth in his own story, this is even connected with New York, which will later create a fraternity. In his own words, he did not remember so much transcendence, and if he “committed New York”, but he admitted that he went to the city to get lost. “I got lost in New York in search of Pablo of an American who was a Jewish writer who met in Malaga, and we called him so …”, and, according to his loss, he learned to walk the Black City. “It was easy to feel like an ant, but I felt that there was a shirt button. It was an exciting trip. Because at that time I started in the song and fought. ”
In New York, Lorca found the best ground products for his poetry, with emotions, which was legal and tail and This was embodied in Poet in New YorkThis field will happen to the moraine. The young singer, still in the treasury, was lost by the city of skyscrapers and crowds, which tear and urinate and found inspiration to call them. He sang and ate in silence and surprised as the poet Granano, about his wild strength, his aurors and dancing of death.
With this voice, which came out of the lower part of the Earth and who connected the banks, Morant continued to sing in New York and Lorca throughout his career. There is an album, as wonderful as New York-Granda Near the great Sabich, an important piece of engraved flamenco. And also It is there OmegaRevolutionary work that appeared with Lagartija NickThe field album, which said to Moranta: “This is my vision flamenco Poet in New York “His son Kiki, still in the locker room after his tribute to his father, Lorke and New York, emphasized: “He created a brotherhood, lived Flavco.” It was as if magic existed, and that the New York-Lark-state of the Trinity was the inspiration of the hurricane.
