Weekend Vampire Pop expanded with magic and chaos in the most “Indie” days in Spring Soundra
Since that edition of 2019, I presented the “New Normal” logo, he Spring He played with overcoming old stylistic groups, alternative or fun, “Inde” or “main current”But this year’s poster tends to update relations with the heart of the festival. There, today, Saturday at Fòrum was an illustrative: Weekend vampire and pulp at the top of the poster On the way, a wide range of fierce “Jerodis”, the adventure in Todas and even one The scene of the collective fencing of the glory of Steve AlbeiniThe very dear music in the spring, which died just two weeks ago.
Weekend Vampire represents a specific renewal of “independent” patterns of this twenty -first century heightForms of twisting and combining tune lines and cocoon currents and unpredictable turns. Every album is a step forward and that “God is the only one who was above us” improves its balance on the verge of chaos, with the presence of the phrase (“the only God who was on our head”) that the survivor announced from a journey in which the ship lost part of the ceiling. The population of New York has already passed during the spring of 2008, but this Thursday was on another level.
They entered this topic with some nice numbers of their first lives, such as “Cape Co Kwassa Kwassa”, the remains of Africa fictional via Paul Simon, although they quickly seized the teeth to the new material that slides those pieces in which they can slip like the heavenly piano piano as it could be broken by magicians. A type of “free pop” that left a trace of impressive pieces, such as “Connect”, Pausada “Capricorn” and “Noir” for “sympathy”, well associated with saving medium stages, such as “Hey Hey” or “Campus”. The road from the arrival of the pulp, expected in the middle of the night, Vampire Weekend is located in the high area of the poster.
The wicked rocks of “my staff”
For the friends of the Viejero-Punk rock to The Old Woman, Emile and Snearfar were a safe bet. The Australians do not invent anything, but they are an enjoyable artifact, for the health of the Melmarian cliches, with Amy Taylor suggests Windy Williams a little less than the threads, which calls, in a lovely manner, “to his fans. They have presented” facts “,” facts “and” u should not do it “, and overcome the loaded numbers such as” safety “and” Hirtz “.
As for the “Inde” for the old school, the Arab belt corridor, and the slogan of a severe Scottish rock made in the nineties, is accurately presented to its new album, with this most evil title: “I am completely fine with it no longer gives the curse.” The military rhythm of “Allatoncess” and “Bliss” made its way to the Fòrum runway, between electrical pollution through the dry and narrow Aidan Moffat sound.
He faces ravages of flowers on the memory of Steve Albeini, the leader of Shalak, on the stage bearing his name in the spring of the sound. / Mano Metro
Show a friend
In the most difficult manifestations, they sometimes rest in the most soft feelings, as it is reflected in almost the burning church from the theater, which is deliberately as Steve Albanian. The “listening ceremony” announced in honor of the person who was a producer of Pixies, Nirvana and PJ Harvey (and the firm signature of the festival year after year), in fact, in listening to the large lions and black records in the communication of the abyss and Cabizbaja. Everyone looks at the theater as if there was after all. Triston, some tears and flowers, faces a emotional scene that contradicts stormy soundtracks with the edges of mathematics and after.
In the original plots, in the afternoon, a fresh pass from Renaldo & Clara, re -creating this pop of squares and “bold” embodied in “La Boca Aigua”. You have to see how the shy singer who was shy -viñals has changed, now hesitating without sympathy for the paths such as “L’enor Fa Heat” and “S’està Million Al Carr”. Far from all this, the rocks with the seventies and the Derby Motreta Burrito Kachimba are surprised by everything that will approach Esplanade known as Mordor. His last album, “Black Thread”, took a narcotic, rough and lyrical engine, pointing to the roots without compounds on the first day of the spring.
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