Juan Magán: “They criticized me in a xenophobic and racist way when I’m Spanish”
Juan Magán has returned to Ibiza to dismiss the summer in style, with A unique festival on the beach during the San Miguel Day Organized by the popular beer brand that bears the same name. A live show in which the Ibizan Morning Drivers Group, Carlos Jean, Carmen de la Fuente and a striking show of drones that brought the Golden Brooch in the summer season did not miss.
The king of the electrolatin ensured that the thousands of assistants gathered in the Cala de Sant Miquel Dance, from the youth to the most adult. And nobody could resist Sing one of his big hits like ‘Dancing there’ or ‘Bad Love’That everyone went crazy, especially when the artist came the stage to be closer to his fans.
A few minutes before the scoop, Juan Magán went with a smile and without hiding his desire to be on the beach, people deal with his music. A modest and narrow artist who told us about his beginning in music, how he managed to become an authentic number one and to what extent the criticism influences him. Badalona is even encouraged to reveal the two hidden talents he has and that nobody is expected.
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How does he live an experience organized by San Miguel in Ibiza?
“It is not my first time in Ibiza, but I like to return to Ibiza for so long and to do this in Sant Miquel. A very special event in which so many music styles gather, so many flavors … Return in this way is great, in a case with an incredible vibrates that is expected from the Canons with Juan Magán.”
How would you describe your musical evolution from the beginning to the present?
“My musical evolution has been logical and natural. I make a kind of music in which the main reason is that it is fun, if it is not fun, it cannot be my music. The lyrics can be melancholic and talk about experiences and what you want, but you have to invite yourself to dance, if it is no longer to enterta.”
Which artists influenced him in his career?
“As a child I was very eclectic because many things from Juan Luis Guerra and from the time of Pimpinela came to me, and with the father he was very Led Zeppelin and Pink Floyd … I loved everything and then the time of Freddie Mercury and Bob Marley came the time of Bob Marley.
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Do you agree with the concept of urban music?
“I really like the claim that has urban music and I think that is what I did before, although I didn’t want to give people. I wanted to make music that the urban approached, but it was trivial and fun. A bit of what I do came.”
Which song of your repertoire do you think that one before and after in your career?
“If I hadn’t ‘danced outside’, I would not be where I am today. With that song I was named Grammy, Billboard … To all those things that the Gringos do … that placed me in the showcase. Then I had to keep it and successful successes …”.
I have a super power that has to forget the bad
What is the strangest place where it is inspired for a number?
“I don’t know what to tell you … I don’t remember very strange things. I am a person to get to the studio, I am not waiting for the muse, I go to the studio and give him, give him so that he is already prepared in the field of the muse, so that the Muse is already prepared.
Have you abandoned hidden talent from music and that people don’t know?
“I have two hobbies: one is to take care of plants. I like to take care of plants, I think that is a talent because I will never let them die, I take care of them, very good for them … I love my garden, my water, my murders, my nature … I love to cut my hair.
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What is the greatest personal sacrifice that you have had to do to get where you are?
“The biggest sacrifice I had to do is waste time from my children, their growth and I don’t tell you about my partner, my wife … It hurts a lot not to go to a presentation from school or a graduation (…) Thank God’s children who have very strong family values and have understood it, but it hurts me a lot.”
What is the most difficult criticism you have received and how did it influence you?
“I have a super power that is bad to forget the bad. If they give me a stick, I forget it … My brains say outside and throw it away. I am not hateful because I don’t remember it. Although I generally remember much criticism that was generally made for music that was not done in our country or in Europe (…).”
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